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Meetings with Remarkable Manuscripts
Author: Christopher de Hamel
Publisher: Penguin
ISBN: 0698163389
Pages: 640
Year: 2017-10-24
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An extraordinary and beautifully illustrated exploration of the medieval world through twelve manuscripts, from one of the world's leading experts. Winner of The Wolfson History Prize and The Duff Cooper Prize. A San Francisco Chronicle Holiday Book Gift Guide Pick! Meetings with Remarkable Manuscripts is a captivating examination of twelve illuminated manuscripts from the medieval period. Noted authority Christopher de Hamel invites the reader into intimate conversations with these texts to explore what they tell us about nearly a thousand years of medieval history - and about the modern world, too. In so doing, de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, and collectors. He traces the elaborate journeys that these exceptionally precious artifacts have made through time and shows us how they have been copied, how they have been embroiled in politics, how they have been regarded as objects of supreme beauty and as symbols of national identity, and who has owned them or lusted after them (and how we can tell). From the earliest book in medieval England to the incomparable Book of Kells to the oldest manuscript of the Canterbury Tales, these encounters tell a narrative of intellectual culture and art over the course of a millennium. Two of the manuscripts visited are now in libraries of North America, the Morgan Library in New York and the Getty Museum in Los Angeles. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts allows us to experience some of the greatest works of art in our culture to give us a different perspective on history and on how we come by knowledge.
Meetings with Remarkable Manuscripts
Author: Christopher De Hamel
Publisher: Penguin
ISBN: 1594206112
Pages: 640
Year: 2017-10-24
View: 579
Read: 549
Explores the medieval world through twelve illuminated manuscripts, telling a story of culture and art over the course of a millennium.
Meetings with Remarkable Manuscripts
Author: Christopher De Hamel
Publisher: Allen Lane
ISBN: 0241003040
Pages: 640
Year: 2016-09-22
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'An endlessly fascinating and enjoyable book' Neil MacGregor 'Full of delights' Tom Stoppard An extraordinary exploration of the medieval world - the most beguiling history book of the year This is a book about why medieval manuscripts matter. Coming face to face with an important illuminated manuscript in the original is like meeting a very famous person. We may all pretend that a well-known celebrity is no different from anyone else, and yet there is an undeniable thrill in actually meeting and talking to a person of world stature. The idea for the book, which is entirely new, is to invite the reader into intimate conversations with twelve of the most famous manuscripts in existence and to explore with the author what they tell us about nearly a thousand years of medieval history - and sometimes about the modern world too. Christopher de Hamel introduces us to kings, queens, saints, scribes, artists, librarians, thieves, dealers, collectors and the international community of manuscript scholars, showing us how he and his fellows piece together evidence to reach unexpected conclusions. He traces the elaborate journeys which these exceptionally precious artefacts have made through time and space, shows us how they have been copied, who has owned them or lusted after them (and how we can tell), how they have been embroiled in politics and scholarly disputes, how they have been regarded as objects of supreme beauty and luxury and as symbols of national identity. The book touches on religion, art, literature, music, science and the history of taste. Part travel book, part detective story, part conversation with the reader, Meetings with Remarkable Manuscripts conveys the fascination and excitement of encountering some of the greatest works of art in our culture which, in the originals, are to most people completely inaccessible. At the end, we have a slightly different perspective on history and how we come by knowledge. It is a most unusual book.
A History of Illuminated Manuscript
Author: Christopher De Hamel
Publisher: Phaidon Press
ISBN: 0714834521
Pages: 272
Year: 1997-09-26
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Medieval manuscripts are counted among the greatest glories of Western civilization. With their gold and painted decoration and their charming miniatures, they have always had immense appeal, and images from them can be seen everywhere - from greeting cards and wrapping paper to expensive facsimiles. This entertaining and authoritative book is the first to provide a general introduction to the whole subject of the making of books from the Dark Ages to the invention of printing and beyond. Christopher de Hamel vividly describes the widely different circumstances in which manuscripts were created, from the earliest monastic Gospel Books to university textbooks, secular romances, Books of Hours and classical texts for humanist bibliophiles. As the story unfolds the wonderful variety of manuscripts and their illumination is revealed, and many fundamental questions are answered - who wrote the books, what texts they contained, who read them, how they were made and what purposes they served. Illuminated manuscripts have alway been highly valued, and among them are some of the world's great masterpieces of art. With its lively narrative and many new and superb illustrations, this new edition of a much-praised book provides the perfect introduction to a large and fascinating subject.
The Medieval World at Our Fingertips
Author: Christopher De Hamel
Publisher: Studies in Medieval and Early
ISBN: 1909400882
Pages: 264
Year: 2017-12-06
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No manuscript is an island. We may consider medieval illumination as a single characteristic of the whole Middle Ages, but every manuscript is part of the evolving history of European art and culture, and every one belongs to a place and period. The Sandra Hindman Collection is a remarkable journey through time and location. Every illuminated cutting described here is a microcosm of a larger history. A sublime initial from a twelfth-century Bible from France is part of a setting which includes Chartres Cathedral, the Crusades and Abelard; two late thirteenth-century narrative miniatures of saints from northern Italy have stepped from in a world inhabited by Giotto and Dante and the basilica of Santa Croce in Florence; a miniature by the Berlin Master of Mary of Burgundy belongs in age of Rogier van der Weyden and Hans Memling; a painting from a choir book by the zMaster B.F.y can hold its place with Leonardo da Vinci and Palestrina. Manuscripts were always at the heart of intellectual and visual culture. For thirty years Sandra Hindman has been selecting and refining a collection of perfect medieval miniatures which are the quintessence of their time. Each is a window which illuminates a world. The history of stained glass, architecture, fresco painting, tapestries and wood carving, as well as medieval literature, religion, music and romance, are all made slightly clearer and more focused by looking at the illuminated miniatures chosen for exhibition here.
The British Library Guide to Manuscript Illumination
Author: Christopher De Hamel, British Library
Publisher: University of Toronto Press
ISBN: 0802081738
Pages: 88
Year: 2001
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An introduction to the history and techniques of manuscript illumination that offers a thorough and accessible historical overview of techniques and processes, illustrated with examples, diagrams, and photographs of craftspeople at work.
Scribes and Illuminators
Author: Christopher De Hamel, British Museum
Publisher: University of Toronto Press
ISBN: 0802077072
Pages: 72
Year: 1992
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Looks at the work of medieval paper, parchment, and ink makers, scribes, illuminators, binders, and booksellers
Understanding Illuminated Manuscripts
Author: Michelle P. Brown
Publisher: Getty Publications
ISBN: 0892362170
Pages: 127
Year: 1994
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What is a florilegium? What is an incipit? What is batarde script? This book--part of the Museum's popular Looking at series--offers definitions of these and numerous other techniques, processes, and materials used in medieval illuminated manuscripts. Concise and readable explanations of the technical terms most frequently encountered by the museum-goer are presented in an easily portable format. With numerous illustrations, many of them in color, this volume will be invaluable to all readers wishing to increase their understanding and enjoyment of illuminated manuscripts.
Flowers in Medieval Manuscripts
Author: Celia Fisher
Publisher: University of Toronto Press
ISBN: 0802037968
Pages: 64
Year: 2004
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Each section of Flowers in Medieval Manuscripts includes relevant details of the manuscripts from which the illustrations are taken, and the concluding section discusses manuscript production in relation to these margins.
Meetings with Remarkable Forgeries
Author: M J Harper
ISBN: 0954291123
Pages: 195
Year: 2017
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MEETINGS WITH REMARKABLE FORGERIES is a response to the best-selling book Meetings with Remarkable Manuscripts. Using a range of methods and sources, it makes a compelling case that all gospel books of the early Christian era are in fact forgeries largely created in the twelfth century. A number of nationally-cherished icons such as the Book of Kells and the Lindisfarne Gospels are shown to be fakes. These unsettling revelations, if true, would require a comprehensive rethinking of how we understand Dark Age Europe, and indeed might raise suspicions that much of the history and archaeology of this period simply did not exist. They are constructs of historians and archaeologists. Linguistics too comes in for a critical re-evaluation as the author shows that supposed languages such as Latin and Greek were themselves constructs -- artificial writing systems -- and that true languages, 'demotics', were only written down from the Late Medieval period onwards. These conclusions allow the author to point out that the nature of civilisation itself has been misunderstood. Progress was perfunctory until the tools of literacy became widely available, when the languages spoken by most people could also be written by most people. After that, the author argues, progress was unstoppable. For better or worse.
Medieval Manuscripts for Mass and Office
Author: Andrew Hughes
Publisher: University of Toronto Press
ISBN: 0802076696
Pages: 470
Year: 1995
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Many books discuss the theology and doctrine of the medieval liturgy: there is no dearth of information on the history of the liturgy, the structure and development of individual services, and there is much discussion of specific texts, chants, and services. No book, at least in English, has struggled with the difficulties of finding texts, chants, or other material in the liturgical manuscripts themselves, until the publication of Medieval Manuscripts for Mass and Office in 1982. Encompassing a period of several centuries, ca 1200-1500, this book provides solutions for such endeavours. Although by this period the basic order and content of liturgical books were more or less standardized, there existed hundreds of different methods of dealing with the internal organisation and the actual writing of the texts and chants on the page. Generalization becomes problematic; the use of any single source as a typical example for more than local detail is impossible. Taking for granted the user's ability to read medieval scripts, and some codicological knowledge, Hughes begins with the elementary material without which the user could not proceed. He describes the liturgical year, season, day, service, and the form of individual items such as responsory or lesson, and mentions the many variants in terminology that are to be found in the sources. The presentation of individual text and chant is discussed, with an emphasis on the organisation of the individual column, line, and letter. Hughes examines the hitherto unexplored means by which a hierarchy of initial and capital letters and their colours are used by the scribes and how this hierarchy can provide a means by which the modern researcher can navigate through the manuscripts. Also described in great detail are the structure and contents of Breviaries, Missals, and the corresponding books with music. This new edition updates the bibliography and the new preface by Hughes presents his recent thoughts about terminology and methods of liturgical abbreviation.
Introduction to manuscript studies
Author: Raymond Clemens, Timothy Graham
Publisher: Cornell Univ Pr
Pages: 301
Year: 2007
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Providing a comprehensive and accessible orientation to the field of medieval manuscript studies, this lavishly illustrated book by Raymond Clemens and Timothy Graham is unique among handbooks on paleography, codicology, and manuscript illumination in its
The Medieval Manuscript Book
Author: Michael Johnston, Michael Van Dussen
Publisher: Cambridge University Press
ISBN: 1107066190
Pages: 320
Year: 2015-08-31
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Situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.
Meetings with Remarkable Men
Author: G. Gurdjieff
Publisher: Penguin UK
ISBN: 0141928581
Pages: 320
Year: 1997-11-06
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The Armenian-Greek spiritual teacher, G.I. Gurdjieff’s autobiographical account of his youth and early travels has become something of a legend since it was first published in 1963. A compulsive read in the tradition of adventure narratives, but suffused with Gurdjieff’s unique perspective on life, it is organized around portraits of remarkable men and women who aided Gurdjieff’s search for hidden knowledge or accompanied him on his journeys in remote parts of the Near East and Central Asia. A classic work, suffused with a haunting sense of what it means to live fully – with conscience, with purpose and with heart.
Making Medieval Manuscripts
Author: Christopher De Hamel
ISBN: 1851244689
Pages: 153
Year: 2018
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Many beautiful illuminated manuscripts survive from the Middle Ages and can be seen in libraries and museums throughout Europe. But who were the skilled craftsmen who made these exquisite books? What precisely is parchment? How were medieval manuscripts designed and executed? What were the inks and pigments, and how were they applied? This book looks at the work of scribes, illuminators and book binders.Based principally on examples in the Bodleian Library, this lavishly illustrated account tells the story of manuscript production from the early Middle Ages through to the high Renaissance. Each stage of production is described in detail, from the preparation of the parchment, pens, paints and inks to the writing of the scripts and the final decoration and illumination of the manuscript. This book also explains the role of the stationer or bookshop, often to be found near cathedral and market squares, in the commissioning of manuscripts, and it cites examples of specific scribes and illuminators who can be identified through their work as professional lay artisans.Christopher de Hamel's engaging text is accompanied by a glossary of key technical terms relating to manuscripts and illumination, providing an invaluable introduction for anyone interested in studying medieval manuscripts today.